Contact Us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right. 

           

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

Scape_44.JPG

bon voyage | 2016

by Rachael Dewhirst

bon voyage is a positive ‘well-wish’ for a journey and a true arts and industry collaboration

bon voyage, a new mural believed to be the longest in New Zealand, is visible both to locals and train-line passengers as they enter and depart Christchurch. Approximately 205 metres long, the artwork has been created by Rachael Dewhirst from a commission by PlaceMakers Riccarton, and, appropriately, is painted (by Tobin Bain-Hogg of StreetSeen) on the border fence of the store’s site. As its title suggests, bon voyage is a positive ‘well-wish’ for a journey and a true arts and industry collaboration. bon voyage is Rachael's second public artwork produced by SCAPE Public Art. 

Rachael Dewhirst’s inspiration for the design comes from an evolving and continued reflection on her journeys through France. With the mural location in mind, coupled with travel being forefront of the artist’s experience, the focus naturally led to a concept of journeying. “In recognising the role of PlaceMakers in the rebuild, I believe it was right for the work to convey a sense of life, hope and vibrancy for the future” she states. “The title of the work is just that, bon voyage, a hope for a safe and enjoyable journey whatever and wherever that might be.”

bon voyage encapsulates both the artist’s and commissioner’s desire to bestow well wishes to the city and people. Rachael has considered the experience of the mural from passing trains. The river is a reference to the Ōtākaro, the Avon River of Christchurch. It is used as a rhythmical pulse that weaves its way through the design like a heartbeat tying the different pieces together. 

Figurative silhouettes and block forms can be seen, some distinguishable as animals, boats, landscapes and parts of architectural forms. Other elements are more abstract with the intention of leaving the work open to interpretation and imagination of individual viewers.

Image credits:

Rachael Dewhirst,
bon voyage,
2016

© SCAPE Public Art & Rachael Dewhirst


Rachael Dewhirst

In her painterly response to the subjects and narratives of her work, Rachael Dewhirst’s paintings touch upon both formal aspects of painting and the immediate experience of the world around her. Dewhirst works in a range of media, applying paint in impasto and translucent washes. Just as the application of paint to the canvas demonstrates a joy and pleasure in the act of painting, the subjects of Dewhirst’s work are equally characterized by their optimism. Dewhirst completed BFA Honours in Fine Arts in 2013 at the University of Canterbury, and has work in the collections of the James Wallace Trust and University of Canterbury.

Born in Auckland, New Zealand (1991), previously completed Honours in Fine Arts (2013) at the University of Canterbury, New Zealand.