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Alphabetica Redux Re:PRESENTED

By Paul Hartigan for SCAPE Public Art Season 2018

Paul Hartigan Alphabetica Test at CAG_2.JPG

Alphabetica Redux revisits the process of drawing with light explored in the 2004 work Alphabetica, which was part of SCAPE Art and Industry Urban Arts Biennial 04, within LightSCAPE, curated by Deidre Brown and Jonathan Mane Wheoki. Using the same aqua laser light technology, now capable of rendering a greater suite of colours, Auckland-based artist Paul Hartigan has produced a delicate, dynamic, pulsing activation of space and surface.

The live draw element on the opening night brings heightened spontaneity and liveness to the project. In terms of popular culture, laser light projections became notable within the Disco era of the 1970s and gained global prominence through nightclub and rave scenes in the 1980s and 1990s. While still used in spectacular displays, other technologies like high-definition pixel-mapped imagery projected onto architecture have come to the fore, which infuses this work with a somewhat nostalgic air.

Hartigan, widely recognised for his large scale public light commissions (often using neon), also produces paintings, photographs and fine art prints. Hartigan blends childhood nostalgia with contemporary references to create his distinctive urban imagery. Consistently defined by a subversive edge and a darkly witty humour, Hartigan's works are often subtly undercut by astute social and political perceptions.

Times and dates to view the artwork at Christchurch Art Gallery Te Puna o Waiwhetū, outside the Gallery foyer:

Friday 5 October 8:30pm – 10:30pm (Live drawing one-night-only event)

Wednesdays:

10 Oct 9:00pm – 11:00pm

17 Oct 9:00pm – 11:00pm

24 Oct 9:00pm – 11:00pm

31 Oct 9:00pm – 11:00pm

07 Nov 9:00pm – 11:00pm

14 Nov 9:00pm – 11:00pm

Sundays:

07 Oct 8:30pm – 10:30pm

14 Oct 8:30pm – 10:30pm

21 Oct 8:30pm – 10:30pm

28 Oct 8:30pm – 10:30pm

04 Nov 8:30pm – 10:30pm

11 Nov 8:30pm – 10:30pm

 

 
 

Paul Hartigan

Paul Hartigan attended Elam School of Fine Art 1971-73 with painting teachers Colin McCahon, Robert Ellis, Garth Tapper and sculptors Adrian Hall, Greer Twiss and Jim Allen. At a time when regionalism reigned supreme, Hartigan's internationalist outlook saw him choosing to align himself with the forerunners of the American and British Pop movement. With an artistic career spanning four decades, Hartigan's current work continues to push boundaries and challenge conceptions of both society and self in a visually arresting and timeless fashion.