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Three Squares Gyratory, Variation 2

By George Rickey for SCAPE Public Art Season 2018

Image courtesy of Gow Langsford Gallery, Auckland. Photo: Heather Milne

George Rickey was a leading sculptor exploring kinetic movement. He was born and based in the USA, with his work having strong international reach. Three Squares Gyratory, Variation 2, like many of his larger-scale works, uses very simple geometric forms finely engineered to be propelled by wind and principles of physics. Rickey eschewed any motorisation of his works and frequently opted to scuff the surfaces of the metal forms so as to not reflect the landscapes they were set within, thus placing primary emphasis on the dynamics of the movement. Rickey noted, “The object was for the pieces to perform as they could, and I wanted their movement to be slow, unhampered, deliberate — but at the same time unpredictable”. His work Double L Excentric Gyratory, 1985 is a much-loved public work sited outside the Auckland Art Gallery Toi o Tāmaki, and two of his works have entranced visitors to The Farm in Kaipara. The inclusion of this work in SCAPE 2018 honours the strong presence of kinetic sculpture within the region’s art history and contemporary art scene.

Image courtesy of Gow Langsford Gallery, Auckland. Photo: Heather Milne

 

 
 

George Rickey

George Rickey was born in South Bend, Indiana, grew up outside of Glasgow, Scotland and studied history at Baillol College in Oxford. His formal art training was under Fernand Léger and Amédée Ozenfant at the Académie Lhote and Académie Moderne in Paris. Following his discharge from the army in the 1940s he studied at New York University Institute of Fine Arts and the Chicago Institute of Design. Over the years his works were exhibited at The Museum of Modern Art in New York, documenta III in Kassel, and commissioned for several public spaces around the world. His works are held in the collections of the National Gallery of Art in Washington, D.C., the Honolulu Museum of Art and the San Diego Museum of Art, among others.